KORG i series

i1, i2, i3, i4s, i5s, i5m

This page is under construction!

I hope this site will be a location for styles,programs, softwares, docs, for Korg i series keyboards and modules. I personnally have a Korg i5s and a WaveStation EX, and I use CakeWalk. You can help me by sending yours ideas, softwares, patterns, tips and hints, ....on my Email: jcorreno@serveur.dtr.fr

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-Styles

-Programs

-Features Articles

-Others Sites

Styles

Korg i-series Styles

16 Beat 16 Beat USA 16 Beat Funk 16 Beat 80's

486Trip 6/8 Jazz Shuffle Rock 3/4 Pop

8Beat UK Rock Heavy Metal TwinRock

America Rave Latin Pop Funky Jam

Brazil Samba Baccarra Gigolo PartyPolka

Country Country 3/4 Achy Break Shuffle LongCool

Demo Waltzer Folk Ballad Paso Doble Slow 94

Disco2 Disco2 James " B "

Europe WienWaltz Mazurka Polka2

Funk Band Funk 70's Funk 80's

GermanDance1 Wien Valtz Polka

GermanDance2 Laendler Polka3 Polka Beat Polka Swing

Germany Wiener Waltz Party Polka Med BigBand 6/8 Dance

HouseRave Housing UK Formulate Boom Chikie Respect

Italy i4 Waltzer i4 Mazurka i4 Ploka Tarentella

Japan Japan Rock Japan Pop PopsEnka

Jarre Jazzy1 Jarre

Jazz BeBop Hard Bop Funky Jazz

JazzSet1 JazzWaltz Take 5/4 Swing Shuffle Hard Bop

JazzSet2 Dorian BigBand SwingLois JazzWaltz

Latin1 Mozambique Merengue Latin Afro

Latin2 Rio Samba3 Bahia

Latin3 Mambo2 Mambo3 ChaChaCha2 Bolero

Latin4 BossaNova2 BossaNova3 PopSamba2 FusionSamba

Latin5 Argentine1 Argentine2 Continent1 Continent2

Latin6 Calypso Beguine2 Lambada Zouk

ModernDance KempFrt MG Flp2 6/8 MG Folk Gipsy King

Musette1 Musette1 Musette1 Paso Doble Musette2

Musette2 Valtzer MT Mazurka Polka MT

New Motow2 James Pars

Parade Funky Jazz Musette2 Tango

Rea Jazz 94 Paso Doble Rea Mix

Reggae BritishReggae Reggae Roots Reggae Doble

Rock1 Pure Bonjour Rox Scorp's

Salon94 Parade Funky Jazz Barry White Funk Maison

Spain Merengue Sevillan Paso Doble

SPK House Housing Out Formulator Band Funk Reggae Dob

Sweden Dansk Wals Dansk Viking Dansk Swing

TradiDance WiennerWaltz MGJ Last MG DiscoFx MG Flippers1

Turkish1 Dans Dueyek Arab 5/8

Turkish2 9/8 SarkiSyanava Vals 7/8

UK Dorian Big Band 2 Swing Lois Jazz Waltz

Wedding Rhumba GP Wiener Waltz Paso Doble GP Jive GP

World Afro Pop Gipsy pop Rai

Technics KN2000 Styles

16 BtPop3 8Bt Ballad 8Bt St2 8 Bt Bald5

8 Bt Ballad 8Bt Std 8 Bt Soft 8 Bt Rock2

Brt Rock 8 Bt SoftRock 8 Bt Sft Rock2 8 Bt Rock1

Folk Rock2 Folk Rock Country Rock Bright Rock

Jazz Funk3 Jazz funk 1 Jazz rock3 Jazz Funk2

Latin Fusion Jazz Rock4 Jazz Rock2 Jazz Rock1

Soul Rock1 Soul Rock Soul Ballad Slow Soul Ballad

Soul Rock4 Soul Rock3 Disco2 Disco1

EuroBeat2 EuroBeat1 DiscoPop Disco 70

Rap2 Rap 1 House2 House1

DancePop1 CountryWaltz UsPop Spanish Disco

March2/4 German March 6/8 German March 2/4 German Waltz

Sweet Waltz Simple Waltz Screen Waltz Orchestral Waltz

USMarch 6/8 2USMarch 2/4 1USMarch 2/4 SwWaltz

Charleston Caraibean Rock2 ViennaWaltz1 ViennaWaltz

Jazz4 Funk4 ElectroPop3 Dixie Slow

JazzCombo1 JazzBallad3 JazzBallad2² JazzBallad1

MiddleJazzFast1 MiddleJazzFast2 MiddleJazz JazzCombo

BigBandFast BigBandBallad SimpleCombo MiddleJazz2

BigBandSlow BigBandMiddle1 BigBandMiddle3 BigBandMiddle2

Orchestral Swing JazzWaltzFast JazzWaltzSlow JazzWaltzMedium

Bequine Std Swing2 StdSwing1 SoulBallad

Cha Cha 2 Cha Cha1 Bolero 4/4 Bolero 3/4

Paso Doble1 Mambo Lambada Fast Mambo

BleuGrass Rhumba Reggae1 Reggae2

Country Ballad Country Folk Country 8 Beat Bluegrass2

Gospel Shuffle Gospel Ballade Country Swing Country Pop

R&B Ballade R&B 8 Beat Hawaii1 Hawaii2

16 Beat Ballade Hawaii3 Gospel 16 Beat Modern Country

16 Beat Std 16 BeatPop4 16 BeatPop2 16BeatPop1

Roland E series Styles

8 Beat1 8 Beat2 8 Beat3 8 Beat4

Bossa1 Bossa2 Bossa 3 Bossa4

Swing1 Swing2 SlSwing1 Blues1

16 Beat 1 Bolero March Ragtime

Blues2 Charleston SW Waltz Cha Cha

House Rhumba PasoDoble LimbRock

Shuffle Cajun Country Musette

Funk2 Dance Foxtrot PopRock

Most of these styles can be downloaded from the others sites linked above.

Programs

01W-Pro (1to 3)
Best-Mt
PianoKeys
Housse1
Combis1
PopPerf
X3Organ (1 to 3)
Xsd (11 to 15)
Dance
Rock
Pipe1

Backing Sequences

Softwares

Features Articles

Korg i5M Interactive Music Module

Korg has taken all of the power and sounds from its acclaimed i-Series to create the new compact i5M Interactive Music Module.

The i5M's sounds are generated by Korg's patented AI2 synthesis system, the same engine found in Korg's popular X, i and 0-Series. With 192 pre-recorded arrangements, including Pop, Rock, Jazz, Latin, House and Reggae, the i5M provides professional accompaniment to any MIDI instrument. The built-in effects processor has 47 digital effects including Reverb and Chorus. Also included are 16 drum programs, along with 384 sound programs.

Arrangements can be called up simply by pressing a color-coded button, organized by specific functions. Editing of an arrangement's drum or sound programs is accomplished instantaneously. Two recording methods are available: Backing Sequence allows for recording in real time, while the Step Recording function records notes individually. The i5M's Interactive Composition mode accompanies any melody played with the appropriate chord.

Equipped with two MIDI IN ports (providing control from two different sources at once), the i5M can also store accompaniment and performance data in the Standard MIDI file format. The Song Play mode utilizes General MIDI, providing a wide range of GM Standard MIDI files.

The i5M is fully compatible with Korg's ih Interactive Vocal Harmony Processor, as well as optional disks from Korg's Sound and Program Library (each giving an additional 64 sound programs and 2 drum programs). With Korg's XIP Performance Data Disks, additional sounds can also be downloaded.

I5S

Korg's phenomenally successful M1 synth is still in use by bands worldwide. Their O1/W series continues to grace many a recording; the Wavestation too. The company's latest X5 range is aimed at small studios and synth beginners; however, the Korg name has been noticeably absent from keyboard enthusiasts' living rooms. The more recent i series has edged that way... now, with the i5S, has it finally arrived?

Overview

The overall appearance of the i5S is more traditional than that of the previous i-series keyboards, with style and program names printed on the case for the first time and small pictures of drums above the keys, too. The keyboard itself is a touch-sensitive, slightly stiff, 61-key model, and to its left is the usual pitch-bend wheel plus a single button that replaces the usual modulation wheel - holding this down applies a fixed amount of vibrato to the current melody sound, and this can be changed between styles. Although not as flexible as a full mod wheel would be, this illustrates the design concept of the i5S perfectly: once it's set up to your liking, subsequent performances require the minimum of effort.

Moving up the unit, there's a set of dedicated function buttons, rows of number keys for selecting instruments and styles, and a small LCD. Sadly, instead of proper volume sliders you have to make do with individual Volume Up and Volume Down buttons for the melody, accompaniment, bass, percussion and so on.

This makes fiddling with the exact balance trickier, especially as you can't immediately see the current volume of each part - once again, the approach is that you do a minimal amount of work to set the style up, and forget about it from then on. But the small LCD is more of a problem. In contrast with the latest big-screen Yamaha and Technics offerings, the i5S has a 20-column, two-row character display, with only a few general controls (cursor movement, value up/down) for changing values. You'll find yourself pressing the Next Page and Previous Page buttons until they wear out as you customise the styles to your liking, thumbing through the manual all the time: what does 'BSequenc MID PD' mean, anyway?

However, there's also much to commend in the panel design of the i5S. Pressing the Volume Up and Volume Down buttons for a particular part together mutes the part in question - very handy. There's a convenient Tap Tempo button, which sets the rhythm to play at whatever speed you beat; separate octave and note transposition controls; and a few dedicated function buttons such as the Sustain button, a boon to anyone playing the i5S without a footpedal. Best of all, there are separate rows of number keys for selecting styles and instruments, with a 10 Lock button which lets you select a set of eight styles (for example, all the waltzes), and hop from one to another with one key-press. The current style is usually shown on the LCD, with the instrument name flashing up as you type in a new number.
Look carefully under the keyboard, and you'll find a discreetly camouflaged disk drive. It's almost as if, in an attempt to design a welcoming home keyboard, Korg hope that you won't notice it. It's a useful feature, however, because not only does it let you play Standard MIDI Files with the i5S, you can also load extra styles: American, European and Japanese disks are supplied with the machine, and it's 100% compatible with its predecessor, the i4S - for which there are over 25 disks available.

How it plays

Enough of the controls; it's time to put the i5S to work. The keyboard boots up with the 8-Beat 1 style selected, a sturdy workhorse of a rhythm - all you need to do is press Start, and spin out a piano melody with your right hand, the left hand playing the chords you want to hear in the accompaniment. No matter how eccentric your chord sequence, the Korg can cope with it; its intelligence in determining what chord you've played is little short of miraculous, as the LCD informs you that the five random notes you just played together were, in fact, the diminished chord of P minor with a raised ninth and a side order of fries. If you've never played a home keyboard before, you'll need to get used to playing each chord slightly ahead of the beat, so that the accompaniment can pick up on it in time (the i5S may be exceedingly clever, but it's not psychic - although, come the i6S...). This skill is easily learnt - it's just a shame that a couple of styles, notably Country1, are more sensitive to your timing than others, with any great variation from a strict rhythm producing an unholy mess in the accompaniment.

That said, the i5S possesses a lot of useful features to improve the sound of your performance: an automatic harmonisation feature, for example, adds chords to your right-hand part based on what you're playing with the left hand.

You can even tell it whereabouts on the keyboard you'll be playing chords: either the lower or upper half, defined by the one user-chosen split point, or over the entire keyboard. This feature can be a boon when you're playing pieces intended for the piano, but it's a shame that there's no way of combining the best parts of this and the normal sensing methods, with the left hand taking priority if two chords are played at once.

Alternatively, you can recover the whole keyboard for your chosen melody instrument, and select chords using the numeric buttons usually dedicated to calling up styles and sounds. If your performance doesn't require any mid-song changes in rhythm, this feature, although tricky to get the hang of, can prove exceptionally useful - but for those who think that reaching across this far is all too much effort, there's a backing sequence mode for recording a set of chord changes to be replayed on demand. It would be misleading to compare this with the fully-blown sequencers found on workstations at this price, but the feature set is surprisingly comprehensive. Despite rudimentary editing features, made all the more difficult by the cramped display, there are quantise, bounce-down, and 'save as Standard MIDI File' features in here; the save option enabling you to build up a library of chord sequences without having to reprogram the keyboard every time. Chords can be recorded as you play or entered in step time, and the 10 backing sequences can be chained in any order you like - perfect for a verse-chorus-verse structure.

How it sounds

You could easily keep an audience satisfied for half an hour with a virtuoso performance based on the i5S's 8-Beat rhythm, but there are 127 other presets to explore - plus the 64 in the user bank. In fact, there are four variations for each style, making 768 in total. Add to this a couple of fill buttons plus an intro and ending for each style (often the most imaginative parts of the arrangement), and there should be an accompaniment for most purposes even without recourse to the many available style disks. Unsurprisingly, you can't edit the styles or program new ones - as we've seen, Korg's intended market for the i5S consists of people who want to do as little setting up and editing with their keyboard as possible.

The 128 preset styles begin with a comprehensive selection of 8-beat and 16-beat rhythms, with some rather schmaltzy rock and pop ballad styles. Waltz aficionados are also well catered for, with the jazz variant particularly good: the faster waltzes tend to be slightly over-orchestrated, but a little twiddling with the volume of each part can lessen this effect. One occasionally bizarre aspect of the presets is the default instrument assigned to each style; in the main, they're eminently sensible, but a harpsichord with a chugging 8-beat rhythm? Again, scrolling through a few LCD pages can fix this problem. Traditional home keyboard styles such as bossa novas and sambas are supplied in abundance. There's a great Latin rhythm, a couple of practical 'party polkas', and a Slow Swing which could have come straight out of your local Pizza Express. It's worth straying a little from the norm, though, as some of the best styles are slightly more leftfield than these: PasoDoble1 (whatever that means) is exceptionally well done, with the East European Gipsy1 also deserving to be singled out.

Contemporary styles are usually more of a minefield for the style programmer, and the i5S might be considered brave in providing such a wide range of them - from blues to techno. Several, to be honest, are complete bunk: I can't see Snoop Doggy Dogg shouting along to the i5S's rap style, and, despite the programming effort that's obviously gone into them, moshing to the (very American) Rock and HardRock auto-accompaniments probably won't catch on either. Bourbon Street and Dixieland, meanwhile, are amusing but perhaps too OTT to be of much use. Surprisingly, though, the rest are pretty good. The Disco style is suitably cheesy, with strings everywhere, the PopShuffle could have come straight off any number of records, and the Twist will no doubt cause a huge number of ankle injuries; while, getting back to roots, Blues2 and R&B stand out admirably. Difficult styles such as Reggae and Techno are even more impressively programmed - I swear that I recognise the last one from a real dance track.
If you, too, have a strange sense of deja vu after listening to the styles in the first two banks, just wait until you see what's loaded into the user bank as a default. 'Unchain Me' - hmmm, I wonder which recently resurrected classic that could be? Which seminal '60s track does P Harlum imitate? And repeat after me - Simon says she's convinced she's heard Carl Vain somewhere before... For the semi-professional performer or amateur out to entertain family and friends, these styles could make an evening.

As a company better known for their sounds than their pre-programmed rhythms, then, Korg have done extremely well with the i5S's styles. There are 320 of the former, so with a pedigree dating back to the classic X3 synth, we should be in for a real treat with the tones, right? Well, yes and no...

General MIDI sounds reside in banks A and B, with a numbering scheme from 11 to 88 which suits the i5S perfectly but could prove confusing for some users. The first presets in bank A, the pianos and organs, are decent lead sounds, with the basic piano and BX3 Organ being particularly appealing. Elsewhere, the standard 128 GM sounds are more of a mixed bag. The classical guitar is unconvincing, while the steel-stringed acoustic is nicely done; there's a good distortion-effect guitar, but most of the other electrics aren't worth using. Similarly, the brass presets and solo strings sound very obviously synthesised; however, the string ensembles are a touch above most comparable sounds, and woodwind tones such as Clarinet would make lovely lead instruments. The pattern continues as we move towards the esoteric high end of the GM set - lousy birdsong and bagpipes, great stadium applause.
It's in the remaining four banks (C, D, E, and a user bank) where Korg's sound designers, unrestrained by the General MIDI specification, have located the most rewarding sounds. In general, these pick up on the strong points of the GM set and offer further, more imaginative, variations to add to your set of lead sounds. Thus there's a wide selection of piano and organ sounds, with a few accordions thrown in for good measure, and some flashier synth pads than the GM specification allows. Even the guitars manage to salvage some glory with a rather fun Powerchord patch and some livelier acoustic sounds. Surprisingly, two of the best patches, ARP Lead and PietString (the latter one of many excellent string sections outside banks A and B), are to be found in the user set, which bodes well for any i5S sound disks that Korg release.
Again, there's no facility for programming new sounds although, once you've navigated through the LCD pages to select a second instrument, a Mode Select button allows you to layer two sounds easily. There's also Korg's standard set of effects - 47 in all, ranging from a set of reverbs, through some tremendous distortion, to the trendy rotary speaker sound, with two effects able to be used simultaneously. It's worth shuffling through the LCD pages to set these up for each style, as they can really add some life to the sound and make the less realistic GM presets more palatable. Unlike those on some keyboards, the speakers on the i5S actually do justice to the work that's gone into the electronics - the bass response is excellent, and stereo can be used to full effect if you pan different sounds between the two.
Verdict
Korg have finally managed it. After several attempts such as the i3 and the i4S, which seemed to say "We'd quite like to make a home keyboard, but we're a synth company really", the new i5S is taking the market square-on with a range of features ideal for the home player.
Once it's set up, obtaining impressive results with the i5S is child's play. The ability to load in backing sequences and call up a style with your choice of effects, lead instrument and volume balance will appeal to semi-professional pub and club players as much to those who like to keep their home keyboard in the home - high praise indeed. And those styles... cover bands across Britain are no doubt rubbing their hands with glee at the thought of gaining access to star sounds so easily, while those with a more original bent will be overjoyed at the huge number of variations on standard styles and the imagination that has gone into the contemporary rhythms.

Do be aware, though, that although it's possible just to sit down and play along to the preset styles, it will initially take a fair bit of head-scratching before you can get the best out of the i5S. The editing system isn't obtuse enough that it should put anyone off the machine - especially when the rest of the keyboard is so inviting - but it's a bit of a chore deciphering all the abbreviations on the sparsely annotated pages of LCD info.

Any criticisms of the i5S are bound to seem churlish in view of the price - £1,099. The only competitor with anywhere near the range of instruments and styles is the Technics KN1200, a better choice if you want to be able to edit sounds, but given the i5S's much larger range of instruments, styles, and effects, Korg have at last made a convincing claim for a place in the market for the keyboard player who just wants to sit down and play. It's about time.

Product name: Korg i5S
Product function: Home keyboard
Country of origin: Japan
Keyboard: 61 keys, velocity-sensitive
Sounds: 384, including 128 GM sounds
Styles: 192
Effects: 2 processors, 47 effects
Polyphony: 32 notes
Multitimbrality: Up to 16 (for disk playback)
Sequencer: 10 backing sequences. Plays Standard MIDI Files.
Display: 2 x 20 character LCD
Connections: L/Mono and R audio outputs; L/Mono and R audio inputs; stereo headphones; MIDI In, Out, Thru; direct PC/Mac interface; EC5 board, damper pedal, assignable pedal/switch
Disk drive: 3.5", DD or HD
Price (inc VAT): £1,099
Further information: Korg UK, 9 Newmarket Court, Kingston, Milton Keynes, MK10 0AU Tel: 01908 857100 Fax: 01908 857199 What we like...

Superb range of styles

Intelligent chord sensing

Good lead instruments
What we don't...

Tricky to set up

Some sounds could be better
Bottom line...

An easy way to sound like the pros with the minimum of effort

Others Sites

The Peter Inhat's site

The Art Morrison's site

16 Beat	16 Beat USA	16 Beat Funk	16 Beat 80's
486Trip	6/8 Jazz	Shuffle Rock	3/4 Pop
8Beat	UK Rock	Heavy Metal	TwinRock
America	Rave	Latin Pop	Funky Jam
Brazil	Samba	Baccarra	Gigolo	PartyPolka
Country	Country 3/4	Achy	Break Shuffle	LongCool
Demo	Waltzer	Folk Ballad	Paso Doble	Slow 94
Disco2	Disco2	James " B "
Europe	WienWaltz	Mazurka	Polka2
Funk	Band	Funk 70's	Funk 80's
GermanDance1	Wien Valtz	Polka
GermanDance2	Laendler	Polka3	Polka Beat	Polka Swing
Germany	Wiener Waltz	Party Polka	Med BigBand	6/8 Dance
HouseRave	Housing UK	Formulate	Boom	Chikie Respect
Italy	i4 Waltzer	i4 Mazurka	i4 Ploka	Tarentella
Japan	Japan Rock	Japan Pop	PopsEnka
Jarre	Jazzy1	Jarre
Jazz	BeBop	Hard Bop	Funky Jazz
JazzSet1	JazzWaltz	Take 5/4	Swing Shuffle	Hard Bop
JazzSet2	Dorian	BigBand	SwingLois	JazzWaltz
Latin1	Mozambique	Merengue	Latin Afro
Latin2	Rio	Samba3	Bahia
Latin3	Mambo2	Mambo3	ChaChaCha2	Bolero
Latin4	BossaNova2	BossaNova3	PopSamba2	FusionSamba
Latin5	Argentine1	Argentine2	Continent1	Continent2
Latin6	Calypso	Beguine2	Lambada	Zouk
ModernDance	KempFrt	MG Flp2	6/8 MG Folk	Gipsy King
Musette1	Musette1	Musette1	Paso Doble	Musette2
Musette2	Valtzer MT	Mazurka	Polka MT
New	Motow2	James Pars
Parade		Funky Jazz	Musette2	Tango
Rea	Jazz 94	Paso Doble	Rea Mix
Reggae	BritishReggae	Reggae Roots	Reggae Doble
Rock1	Pure	Bonjour	Rox	Scorp's
Salon94	Parade	Funky Jazz	Barry White	Funk Maison
Spain	Merengue	Sevillan	Paso Doble
SPK House	Housing Out	Formulator	Band Funk	Reggae Dob
Sweden		Dansk Wals	Dansk Viking	Dansk Swing
TradiDance	WiennerWaltz	MGJ Last	MG DiscoFx	MG Flippers1
Turkish1	Dans	Dueyek	Arab	5/8
Turkish2	9/8	SarkiSyanava	Vals	7/8
UK	Dorian	Big Band 2	Swing Lois	Jazz Waltz
Wedding	Rhumba GP	Wiener Waltz	Paso Doble GP	Jive GP
World	Afro Pop	Gipsy pop	Rai

16 BtPop3	8Bt Ballad	8Bt St2	8 Bt Bald5
8 Bt Ballad	8Bt Std	8 Bt Soft	8 Bt Rock2
Brt Rock	8 Bt SoftRock	8 Bt Sft Rock2	8 Bt Rock1
Folk Rock2	Folk Rock	Country Rock	Bright Rock
Jazz Funk3	Jazz funk 1	Jazz rock3	Jazz Funk2
Latin Fusion	Jazz Rock4	Jazz Rock2	Jazz Rock1
Soul Rock1	Soul Rock	Soul Ballad	Slow Soul Ballad
Soul Rock4	Soul Rock3	Disco2	Disco1
EuroBeat2	EuroBeat1	DiscoPop	Disco 70
Rap2	Rap 1	House2	House1
DancePop1	CountryWaltz	UsPop	Spanish Disco
March2/4	German March 6/8	German March 2/4	German Waltz
Sweet Waltz	Simple Waltz	Screen Waltz	Orchestral Waltz
USMarch 6/8	2USMarch 2/4	1USMarch 2/4	SwWaltz
Charleston	Caraibean Rock2	ViennaWaltz1	ViennaWaltz
Jazz4	Funk4	ElectroPop3	Dixie Slow
JazzCombo1	JazzBallad3	JazzBallad2²	JazzBallad1
MiddleJazzFast1	MiddleJazzFast2	MiddleJazz	JazzCombo
BigBandFast	BigBandBallad	SimpleCombo	MiddleJazz2
BigBandSlow	BigBandMiddle1	BigBandMiddle3	BigBandMiddle2
Orchestral Swing	JazzWaltzFast	JazzWaltzSlow	JazzWaltzMedium
Bequine	Std Swing2	StdSwing1	SoulBallad
Cha Cha 2	Cha Cha1	Bolero 4/4	Bolero 3/4
Paso Doble1	Mambo	Lambada	Fast Mambo
BleuGrass	Rhumba	Reggae1	Reggae2
Country Ballad	Country Folk	Country 8 Beat	Bluegrass2
Gospel Shuffle	Gospel Ballade	Country Swing	Country Pop
R&B Ballade	R&B 8 Beat	Hawaii1	Hawaii2
16 Beat Ballade	Hawaii3	Gospel 16 Beat	Modern Country
16 Beat Std	16 BeatPop4	16 BeatPop2	16BeatPop1

8 Beat1	8 Beat2	8 Beat3	8 Beat4
Bossa1	Bossa2	Bossa 3	Bossa4
Swing1	Swing2	SlSwing1	Blues1
16 Beat 1	Bolero	March	Ragtime
Blues2	Charleston	SW Waltz	Cha Cha
House	Rhumba	PasoDoble	LimbRock
Shuffle	Cajun	Country	Musette
Funk2	Dance	Foxtrot	PopRock

KORG i series

i1, i2, i3, i4s, i5s, i5m

-Styles -Programs -Features Articles -Others Sites

-Styles

-Programs

-Features Articles

-Others Sites